Fire Girl by Matt Ralphs
"When I was a child I lived in a large, old house on the edge of a village in Suffolk. It had three storeys, a cellar, winding stairs, crooked corridors – and seemed to come alive at night. That was when floorboards creaked in empty rooms and shadows shifted in the corners. It was obvious to me that we were not alone. I loved that house. It’s where my fascination with fear and scary stories was born, and has directly influenced my writing style."
I wrote my novel Fire Girl as a fast-paced adventure, punctuated with moments of horror that I hope will make the reader jump, and then laugh with relief because, hey, its only a story. Here are some of my thoughts on how to write to frighten.
The diversity of fearWe’re all different, with our own likes and dislikes. We also have our own unique fears. Some fears are universal: fear of death, fear of pain, fear of the unknown, and these have been exploited in books, television and films over and over again. But what about the types of fear that haven’t been explored so exhaustively?
There are many types of phobia. Here is a random selection: fear of insects, fear of noise, fear of dentists, fear of going to school, fear of cats, fear of being touched, fear of solitude, even fear of beards. I think there’s a story for each of them. Look around for the unusual, the strange, the unique, because it might just be your way into a really original and frightening story.
Examine your fearsThere’s an old writer’s maxim that says “write what you know”, so a good starting point if you want to write to frighten is to examine your own experiences. It could be a specific incident: an accident, an ugly confrontation, or being lost and alone in a strange place.
Relive it. Recall every detail. How did you feel? What physical and mental changes did you experience? Panic? Shallow breathing? Faintness? Nausea? What did you do when the first wave of fear crashed over you? Did you freeze? Or did you act?
By using your own experiences you’ll add authenticity to your writing.